Atomos Shogun 7 Announced ֠ 1500nit Monitor & ProRes RAW HDR Recorder

The Atomos Shogun 7 is the most featureful recording and monitoring device on the market, capable of recording 5.7K ProRes RAW, live vision switching and an HDR display that allegedly delivers 15+ stops of dynamic range.

Video Recording Up To 5.7K In ProRes RAW

As cameras continue to get bigger in resolution, as does the recording technology. The Atomos Shogun 7 can record up to 5.7K resolution recording, up to 4K 120fps and 2K 240fps for super slow motion action in ProRes RAW (dependant on camera capability). Currently, there isn’t a recorder on the market that is capable of capturing those resolutions and frame rates in RAW, which is an amazing advancement in recording technology. The Shogun 7 seems to replace the Shogun Inferno as Atomos’ flagship recorder.

10-bit 4:2:2 recording is available up to 4K/60p and 2K/240p in ProRes or DNxHR formats, are for richer color.

The Atomos Shogun 7 is not restricted by inputs like in previous versions; four SDI inputs support support Quad Link, Dual Link or Single Link cinema cameras. There is also one HDMI output and one HDMI input for tethering to additional monitors and making use of the Dolby Vision HDR output. Click here for the full article.

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NAB 2019: Chrosziel Lens Motor for Fujinon 18-55 and 50-135mm

I absolutely suck at a manual zoom moves on any lens/camera combination. When I shoot with cinema style lenses I need an option for a slow push in or out for my news or doc work. At NAB 2019 we ran into Chrosziel showing off a lens motor for the popular Fujinon MK 18-55mm T2.9 and Fujinon 50-135mm T2.9 lenses. In the example shown to us, Chrosziel had a Sony FS7 and a Fujinon MK 18-55mm zoom. For those who want the Super 35mm look but also need to be able to control your lens smoothly with a type of lens rocker design then take a look at this motor design by Chrosziel.
The Sony FS5 / FS7 handgrip zoom rocker controls directly the servo drive unit. Other zoom rockers with LANC protocol are compatible too, e.g. mounted to handgrip. Control signals (e.g. menu / user buttons / focus magnification / camera run & stop) are immediately looped through to the camera. Two captive screws keeping the single servo drive unit permanently fixed onto lens.

4 ZOOM MODES

EB / Documentary,  Live / Hardcut, Silent, Direct ModeYou can choose the different modes by pressing the zoom rocker for round about 5 seconds, then the green LED flashes very fast while changing the zoom mode and after that it blinks 1, 2, 3 or 4 times* – depends on the zoom mode you chose (* 1 = EB / Documentary / 2 = Silent / 3 = Live / Hard Cut / 4 = Direct). To cycle through these, all you need to do is hold the zoom rocker down one way for a couple of seconds to switch to the next mode, and the other way, hold to reverse.
Chrosziel

Chrosziel CDM-MK-Z Zoom Motor

The mounting of the Lens Motorization MK-Zoom is very comfortable. Just screw the two screws into the threads at the Fujinon lens. After that, connect the D-Tap power cable with the appropriate camera port and the two Jack cables with the handgrip and the camera. Done.

The slightly rounded CDM-MK-Z housing fits perfectly with the Fujinon lens. The gear meshes exactly with the zoom gear ring of the lens. The integrated PCB with CPU of the zoom motor sets instantaneously control commands that come from a SONY or any other LANC-compatible handle.Chrosziel

What’s in the box

  • 1x Servo Device Unit
  • 1x D-Tap power cable
  • 1x 2.5 mm Jack-Jack cable
  • 1x 2.5 mm Jack Extension Cable
  • 2x captive mounting screws
  • 1x 2.5 mm Allen Key
  • 1x Mini-USB-Adapter (MiniUSB>USB)

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Avid MediaCentral | Editorial Management: Collaboration, workflow, and project management solution for Teams

Avid MediaCentral|Editorial Management is an exciting workflow and project management solution from Avid. Media Central is built specifically to compliment the new Avid Media Composer creative tool set.

Editorial Management is built top streamline the post production process. It allows Media Composer users to edit efficiently while eliminating some of the busy work that goes along with editing. With Editorial Managements new tool set, producers, story editors production supervisors and assistants to contribute to a project by accessing it remotely.

At an affordable price, Editorial Management easily accommodates small creative teams ranging from two contributors to twenty five. Users can edit projects anytime, anywhere from their VPN.

Serving the Entire Post Production Team

As most post professionals will agree, the industry’s adoption of file-based workflows has been a double-edged sword. No doubt, file-based workflows are more flexible and often faster than film or tape-based methods. But these workflows also introduce new complexities to the process, and in some cases, the non-tactile nature of files makes our jobs harder. It truly requires a team effort to get through post production in a timely manner. Thankfully, new tools are at last emerging to smooth out some of the wrinkles that file-based workflows introduced.

Matthew Schneider, Avidblogs.com

In the past a production studio would require multiple editing rooms with multiple Media Composer systems. Avid has recognized this. Editorial Management provides access to the same project anywhere on one network.

Benefits by Role

Production assistant:

Production assistants can now easily organize and prep media efficiently.

Story editor:

Story editors can now quickly search for content and media to build a projects narrative.

Post-production supervisor:

Post- production supervisors can now monitor each part of the process remotely and easily.

Producer:

Producers can locate content with Editorial Mangements built in tools to review the edits at all stages of a projects post production life.

Check out the full Avid Blog Post HERE

Learn more about Avid HERE

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NAB 2019 Wrap Up Videoguys News Day 2sDay LIVE Webinar

This week’s Videoguys NewsDay 2sDay LIVE Webinar is a special show focusing on last weeks NAB Show 2019. Host Gary Bettan goes through all the major new releases and industry news from the convention!

Check out the full webinar on Youtube HERE

Some highlight announcements from NAB included:

NewTek Spark Plus

The NewTek Spark Plus captures video directly from connected cameras and transports it over the user’s network as lossless, full bandwidth NDI. This connection also uses no latency. The Spark Plus models are NewTek’s smallest and fastest models used to acquire 4k UHD or 1080P video. Video sources can be taken from anywhere on the network and integrate it into IP-based video production.

Videoguys.com

G-Tech ArmorATD Portable Rugged Drives

G-Tech ArmorATD Portable Rugged Drives

G-Technology just announced their new ArmorATD portable drive, which is made for the outdoors. They call it a triple-layer shock resistance because the drive has internal shock mounts, is built into a solid aluminum enclosure, which is also wrapped with a protective rubber bumper. 

VIdeoguys.com

Avid’s “All-New” Media Composer NLE 

Avid has announced it’s latest version of Media Composer– and the NLE has been completely ‘redesigned and reimagined’. Avid has assured users that the new Media Composer 2019 is here to satisfy longstanding users while still attracting new ones.

videoguys.com

Teradek Introduces the Bolt4k

Teradek announces the Bolt4K which offers 8x signal performance as well as 50% more range than their existing systems. This next generation product defines a revolutionary category of wireless video technology, HDR video transmission with zero delay.

videoguys.com

NewTek Unveils TriCaster® TC410 Plus

Another big announcement to come out of NAB 2019 is NewTek’s TriCaster® TC410 Plus. This model is an integrated video production system, made specifically for multi platform productions- both live and pre-recorded User’s projects will be professional, polished and engaging, bringing production quality to a new level. Second screen experiences, and professional production value can help extend any production brand

Videoguys.com

PTZOptics WirelessCable

The PTZOpticsWirelessCable is the easiest way to connect IP-based cameras and equipment to your video production system. This device is completely wireless up to 1,300 feet away- with no latency added. The WirelessCable is designed for a variety of software and hardware including: Livestream Studio, the NewTek TricasterWirecast, vMix, Open Broadcaster Software and more. The WirelessCable will help video production teams leverage IP technology in a new easy way, providing 300 Megabits of bandwidth to remote locations for live production.

Videoguys.com

Check out the full webinar on Youtube HERE

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