Review: Fujifilm X-T3 for filmmaking

The Fujifilm X-T3 is a very capable stills camera but how good does it perform when it comes to capturing video? Watch our Vvdeo review below to find out!

The Fujifilm camera that got filmmaker’s attention first was the X-T2. It wasn’t really made for video recording but because of the detailed image and colors became popular among video creators. The X-T2 finally got on everyone’s radar when a big firmware update enabled the camera to shoot log internally as well as 120 frames per second in HD.

Two
years after the X-T2 was launched its successor clearly shows that Fujifilm is
focusing more and more on video features. The X-T3 can shoot 4K 60p at up to
400Mbps when recording in H.265. Even though this is not the fastest codec to
work with when it comes to editing it’s definitely worth it when color
correcting and grading the footage. Grading is also a lot easier because the H.265
footage is 10-bit with 4:2:0 subsampling. When using an external recorder like
the Atomos Ninja 5 it can even output 4:2:2 to really get the best out of the
image.

Fujifilm Xt3 Fujinon 56mm 1.2
The compact body is an advantage if the lenses are not too big.

Fuji’s flat picture profile F-Log is certainly a good choice for grading but the new HLG profile is a much needed extension because it doesn’t require a heavy grade which means you will spend less time in post adjusting and tweaking colors and contrast. The advantage of this HDR picture profile is that the footage looks more saturated and less flat even though it has a high dynamic range. This is especially useful for productions that need to be edited and finished quickly without the need for a professional color correction.

A
feature Fuji is constantly improving is auto focus. The continuous auto focus
works very well most of the time just like the face tracking which can be
useful for interview shoots or when vlogging.

Besides being able to record 120 frames per second in Full HD for a nice slow motion effect the camera can also do the opposite and record timelapses with the shortest interval of 1 second. A timelapse can be saved as JPEG or raw files with a resolution of up to 6K. But just like with other Fuji cameras there is no video preview or video file to display how the timelapse sequence looks like.

Fujifilm Xt3 Rode Videomic 01
The X-T3 with the RODE Videomic Pro

The
camera almost has it all. But one big feature is missing. IBIS. This certainly
isn’t a big deal when shooting with XF zoom lenses that have built-in image
stabilization or when using a tripod but filming hand-held with prime lenses is
pretty much impossible because the footage will be too shaky.

The X-T3
has a headphone jack and a 3.5mm microphone input as well as all the necessary
features to monitor the video on screen. The electronic viewfinder is bright
and detailed and overall quite useful especially when shooting outdoors on a
sunny day but also to add stabilization when filming hand-held. The ergonomics
are almost identical to the X-T2’s which is good if you are familiar with the
camera but rather unusual for everyone who hasn’t used Fuji cameras before. The
grip is small which can be an issue for people with big hands even if the
battery grip is attached.

Fujifilm Xt3 Video Menu
Video menu

The
battery life is okay but could definitely be better. During our testing I often
used the battery grip which meant the camera had access to three batteries in
total so I didn’t have to worry about running out of power so it always makes
sense to go out with a few batteries.

So
overall there isn’t too much to talk or complain about because the camera does a
lot of things right. Just like most mirrorless cameras the X-T3 has a recording
limit of 30 minutes in one take which isn’t a huge issue unless you’re shooting
long interviews.

The main
issue this camera really has, when it comes to video features, is the lack of
in body image stabilization, which I know is not important to all users but can
be if you’re currently using a camera that has it or if you want to use prime
lenses that don’t have stabilization. If IBIS is really important for your
style of filmmaking then I would recommend to take a look at the X-H1 which is
also a good tool for filmmaking but lacks 4K 60p and can’t record video with
10-bit.

The Fujifilm X-T3 is a great camera that deserves all the attention and is pretty much unbeatable for the price. This is not just a good tool for photography but can definitely be used for professional video productions as well.

Written by filmmaker Moritz Janisch, February 27, 2019

The post Review: Fujifilm X-T3 for filmmaking appeared first on Fenchel & Janisch.

https://www.fenchel-janisch.com/review-fujifilm-x-t3-for-filmmaking/

The Friday Roundup – 360 Video, a Cheap Camera Challenge and more!

Cheap Camera Challenge
OK so the rule is that the best camera for taking videos is the one you have and the best video editing software is the one you have.
The world is saturated with endless marketing that repeatedly conveys the message that the problem is that you don’t have this or that latest thing.
This is patently false. Full stop end of rant.
Over the years I…
Read more…

SlingStudio New Features with Jeff Sasagawa Videoguys NewsDay 2sDay LIVE Webinar

The Videoguys News Day 2sDay LIVE Webinars of 2019 have been great so far, and today’s show might have been the best so far.  This week our host Gary Bettan discusses the new features and updates from SlingStudio.  The SlingStudio live production and streaming system is already getting notoriety for it’s ease-of-use and affordability with expanding features to make simple productions look more professional.  Joining us via Skype from SlingStudio is Jeff Sasagawa and continues to show us just how SlingStudio is so effective and how the new changes can help you.  With the new features like the “Coach & Referee” review system continuing to be worked into the workflow, SlingStudio will soon have to market to those more professional users while still being easy for any novice to use.  Plus, being able to expand the hardware by adding CameraLinks, the SlingStudio Backpack for all of your gear, even adding a second SlingStudio Hub– if you haven’t thought about the SlingStudio system for your live streaming production, this is the webinar that will change your mind.

Click here to watch the video on YouTube.

The post SlingStudio New Features with Jeff Sasagawa Videoguys NewsDay 2sDay LIVE Webinar appeared first on Videoguys Blog.

https://www.videoguys.com/blog/slingstudio-new-features-with-jeff-sasagawa-videoguys-newsday-2sday-live-webinar/